Al Van Mil grew up in an artistic family, learning the art of traditional oil painting from his father, an artist and teacher from the Netherlands. Al continued his study of art at the Ontario College of Art and Design and the University of Guelph. Al’s artistic interests and techniques are always evolving as he experiments with new and old artistic techniques. Al was a co-founder of a commercial art compnay in 1980. In 1986 this company was named one of the three top architctural model makers in the world. In 1990 he sold this company and began painting again on a full-time basis. Since this time he has gained popularity as is evidence by his artwork has been exhibited in the National Gallery of Canada, the Art Gallery of Ontario, and the Musée des beaux-arts de Montréal, in addition to many privately owned galleries. In 1998, as a member of Collaborations with artists from the Canadian Opera Company and the National Ballet of Canada he began painting on stage, in many live theaters across Toronto. Consequently he designed the sets for two Canadian opera productions: Die Fledermaus in 2009, and La Boheme in 2010. A large variety of galleries presently exhibit Al’s paintings in Ontario, Quebec, New York, and London, England.
Al’s family moved frequently after his arrival in Canada. He fortuitously spent 2 years of that time in the Haliburton Highlands and attended the Haliburton Highlands Secondary School. He and his family always remembered those 2 years with great fondness and Al had a yearning to return to the Highlands. A friend encouraged him to consider teaching at the Haliburton School of the Arts. His first experience at the Haliburton School of the Arts was about 15 years ago and he has continued to be a part of the program ever since.
Initially, he stayed in rental accommodation, purposefully selecting accommodation in different locations with the goal of finding the right place to purchase. In 2005 he and his wife, Annette, purchased their cottage and studio on Miskwabi Lake. He retains his residence in Toronto in addition to his cottage home. He states that some of his recent works reflect “the sensual heart of the highlands”.
Over the years Al has become more and more involved in the Haliburton Highlands artistic community. Al participates in the Haliburton County Studio Tour which gives people an opportunity to see his cottage studio and the surrounding area that helps to nspire his artistic vision. He has also worked with the Highlands Opera Studio to create sets for their productions.